Wednesday, June 8, 2011

Redditch Born Ballet Dancer ~ Austin Lui Joins The Cast Of 47 Ronin


A GRADUATE year student from The Royal Ballet School, who hails from Redditch, is to appear in new epic adventure film starring Keanu Reeves.
Redditch-born Austin Lui, 18, is currently involved in rehearsals at the world-famous Shepperton Studios in Surrey, filming dance sequences for Universal Pictures’ forthcoming film 47 Ronin.
47 Ronin is set for release in November 2012 and is described as a 3D fantasy-adventure, inspired by the brave Ronin warriors of Japanese legend.
Directed by Carl Erik Rinsch, the film is set in 18th century Japan and follows Kai, played by Reeves, and a band of warriors who set out to avenge the death of their master and restore honour to their homeland. The warriors embark on a quest that challenges them with a series of trials that would destroy ordinary warriors.
Reeves is joined in the film by some of Japan’s best known film actors including Hiroyuki Sanada, Kou Shibasaki, Tadanobu Asano and Rinko Kikuchi.
There are two sequences in the film involving dancers. One of these is at a pivotal part of the film and features the brilliant Japanese actor Hiroyuki Sanada, himself a trained classical Japanese dancer. The other sequence is a fairytale-type fantasy based around animals which features Austin as a raven and showcases his classical technique.
The audition process was open to every professional dance company and school in the UK. In March, eight dancers were selected for the film, ranging from hip hop, break-dancers and martial arts performers. Austin was the only ballet student to be selected.
Olivia Pickford, the choreographer for 47 Ronin, said: “The film’s dance sequences feature excellent dancers from a range of diverse styles.
“Austin’s strong classical technique has really stood out and there is one sequence in particular where this features strongly. We have all been really impressed by his artistry, professionalism and willingness to work in a team. Austin is a real credit to The Royal Ballet School.”

Redditch Advertiser News


Tuesday, June 7, 2011

47 Ronin At Shepperton

Saturday, June 04, 2011

"47 Ronin" @ Shepperton and "Dark Shadows" @ Pinewood

The UK's Pinewood and Shepperton Studios complex, reports that filming is now underway @ Shepperton on Universal’s upcoming, 3D fantasy-adventure, "47 Ronin" and "Dark Shadows" has started @ Pinewood.

"47 Ronin", inspired by ancient Japan’s most enduring story about the 'Samurai', stars Keanu Reeves as 'Kai', an outcast who joins 'Oishi' (Hiroyuki Sanada), the leader of the '47 Ronin' :

"...Together they seek vengeance on the treacherous overlord who killed their master and banished their kind. To restore honor to their homeland, the warriors embark upon a quest that challenges them with a series of trials that would destroy ordinary warriors..."

Production on the film started early in the New Year, building sets on Shepperton’s sound stages and backlot, recreating 18th century Japan in the form of a castle, fortress, tournament arena and village.

"47 Ronin" is directed by Carl Erik Rinsch ("The Gift").

"Pinewood and Shepperton have seen some relatively big productions come through its gates in recent years, although few rival the scale and ambition of '47 Ronin'," said Andrew Smith, Group Corporate Affairs Director at Pinewood.

"The sets are some of the most amazing we’ve seen and it’s so pleasing to have been able to provide the production with the space, infrastructure and support they need to help them achieve their vision..."
 by Michael Stevens



http://www.sneakpeek.ca/2011/06/47-ronin-shepperton-and-dark-shadows.html

Monday, June 6, 2011

Keanu On 47 Ronin



Written by: Stoic Taco
Thanks to Hero Complex, we have an update on 47 Ronin directly from the leading man himself, Keanu Reeves.

Playing Kai, the son of an English sailor and a Japanese woman, joins the 47 ronin, led by Hiroyuki Sanada, out to avenge the death of their master at the hands of an evil lord.
The locations used in the shooting of the film are worldwide as outlined by Mr Reeves, “We just wrapped. It was our last day here in Hungary, we’re in Budapest…We had about 34 shooting days here. Then off to England. It’s been amazing so far.”
In the article Mr Reeves goes on to state just how immensely important this story is to the Japanese people and that there is a responsibility to treat the story with care and reverence.


“It’s a story of honor, revenge and impossible love. It’s famous in Japan….Japanese kids grow up with this story told to them. They hear it from family and they learn it in school, it’s part of the culture… It’s been made into movies many times and on television. It’s like our westerns, the story keeps being told.  It’s been reworked in some ways but with great care and respect.”
In addition to the taking care with the storyline, working in various countries and weather conditions, Mr Reeves has faced another challenge with the need of learning to handle and use a traditional Japanese two-handed sword, “I haven’t done two-handed sword before so it was pretty cool to learn the basics and I’ve been building on that…There’s a definite style to this sword and it’s very fast I’m trying to keep up and learn as I go.”
Make sure you check out the full story at Hero Complex, it’s a great read.
The filming is currently taking place in London now, and is scheduled for release in November 2012.

Friday, June 3, 2011

Keanu Reeves on The Set Of The 47 Ronin

47 Ronin Filming at Shepperton


Filming is now well under way at Shepperton Studios on Universal’s new epic 3D fantasy-adventure, 47 Ronin.


The film, inspired by ancient Japan’s most enduring tale stars Keanu Reeves as Kai, an outcast who joins Oishi (Hiroyuki Sanada), the leader of the 47 Ronin. Together they seek vengeance upon the treacherous overlord who killed their master and banished their kind. To restore honor to their homeland, the warriors embark upon a quest that challenges them with a series of trials that would destroy ordinary warriors.
The production has been working hard since the New Year, building some incredible sets on Shepperton’s stages and backlot, where they have recreated 18th century Japan in the form of a castle, fortress, tournament arena and village.
47 Ronin is helmed by visionary director Carl Erik Rinsch (The Gift). Inspired by styles as diverse as Miyazaki and Hokusai, Rinsch will bring to life the stunning landscapes and enormous battles that will display the timeless Ronin story to global audiences in a way that’s never been seen before.

Andrew Smith, Group Corporate Affairs Director at Pinewood commented: “Pinewood and Shepperton have seen some relatively big productions come through its gates in recent years, although few rival the scale and ambition of 47 Ronin. The sets are some of the most amazing we’ve seen and it’s so pleasing to have been able to provide the production with the space, infrastructure and support they need to help them achieve their vision for this film. The team have been a pleasure to work with over the past few months and have even opened up their sets to members of the local community for a one off set visit, to satisfy the intense interest in the project.”
The film is from writers Chris Morgan (Wanted, Fast Five) and Hossein Amini (upcoming Drive, The Wings of the Dove). Scott Stuber (The Kingdom, upcoming Battleship), Pamela Abdy (Garden State, Man on the Moon) and Eric McLeod (Pirates of the Caribbean: Dead Man’s Chest and At World’s End, Tropic Thunder) produce the epic.
Rinsch leads a behind-the-scenes crew comprised of two-time Academy Award-nominated cinematographer John Mathieson (Gladiator, Robin Hood); two-time Academy Award-nominated production designer Jan Roelfs (Alexander, Gattaca); editor Craig Wood (Pirates of the Caribbean trilogy, The Ring); costume designer Penny Rose (“Pirates of the Caribbean” trilogy, Evita); special effects producer Paul Corbould (Mamma Mia!, The Wolfman); and visual effects producer Garv Thorp (The Mummy: Tomb of the Dragon Emperor, Your Highness).



http://www.pinewoodgroup.com/2011/06/47-ronin-filming-at-shepperton/

TOHO Cinemas Magazine 47 RONIN Akanishi Jin Interview



With Keanu Reeves as the main lead and Chushingura ('tale of the loyal retainers') as the blueprint, a luxurious cast (Japan+America) would be showing us the spectacular action movie “47 RONIN”. Production fees of 20billion yen and using the newest 3D technology just like “Avatar”. It’s clear that this piece of work is not just a normal project. We met Akanishi Jin who is debuting in Hollywood with this movie at Hungary, in his very natural state.

He went to the auditions with the mindset of“Because I have never passed (the auditions)” to getting surprised when told that “he had passed”. Beyond the big surprise, it seems like he was hesitant about it.
“I used to think of acting in a Hollywood movie. Because I like western movies and when I watch movies like “Matrix”, I always wondered “how do they actually film this?” Though I was really happy when it was decided, but the feeling of “what should I do now?” was more overpowering. I still have to break the news to the agency, and the release of the album would also have to be pushed back….I never thought that I would definitely be accepted”

The theme of Chushingura has been filmed into movies many times before and it’s a theme that tugs at the heartstrings of Japanese. To act in a Hollywood movie with the topic that combines the spirit and interest of Japanese, there must be a certain amount of pressure.

“Actually I have never watched those Japanese period films. For people who are familiar with this, it’s definitely a theme that they would like to discuss, but for me it’s kinda like “So what is Chushingura?” He, who is laughing while answering, gave his absolute best while filming. This is also something that has to do with the uniqueness of the movie. “I did not know about Chushingura, but I did not find the need to go read the books and watch the TV dramas on it. Though this work is about Chushingura but it’s more like a fantasy. It’s better if the audience don’t carry the image of this movie being a period film. The script has been changed many times; the movie goes off the track of Chushingura and then comes back again… I have been trying not to read too much (laughs). But for now, the end product totally can’t be foreseen.”

The director of this huge production that is masked with a mysterious veil is Carl Rinsch who has filmed and taken part in many famous CMs around the world. Well known for having an excellent filming sense, this talent was also felt at the location itself. “The director is a very ambitious person. If he’s asked whether the filming is going on smoothly, there is totally no such thing as filming smoothly to him (laugh) Though we get stuck on one scene a lot, the product is really very beautiful. Even at the location, we check our scenes using 3D and everyone would go “Whoa!!” while watching."

Akanishi is acting as Oishi Chikara, the son of Hiroyuki Sanada’s role Oishi Kuranosuke, and the good friend of Keanu’s English/Japanese mixed blood role, Kai. The location that is filled with veterans all around the world, how is Akanishi doing so far?

“It’s completely a filming ground with no scary tensions or anything (Laughs). Keanu’s role is a loner who is hated by everyone, and the setting is that my role Chikara is the only one who gets along with him. And so, I have many scenes with him. He often asks “How do you say this in Japanese?” Sanada san takes on the role as a translator for the Japanese who do not understand English, while I focus on my combat and horse riding training. I don’t want to lag behind and be a burden in the action scenes. Though I have experience in combat but it’s totally not enough to survive here (laughs). It’s difficult”

For Akanishi ,who has recently announced his debut in America for his music activities. Using this movie as an opportunity, would he officially go international in the movie world?
“I hope to have fun completing this production first. But if the timing and chance is right, I would like to do it.”





http://annatanhe.livejournal.com/49915.html

Monday, May 30, 2011

Temple Of The 47 Ronin ~ Tokyo

The 47 Ronin



The story of the 47 Ronin is one of the most celebrated in the history of the samurai. This was perhaps all the more so because it occurred at a time when the samurai class was struggling to maintain a sense of itself - warriors with no war, a social class without a function.





The tale could be said to have begun with the teachings of Yamaga Soko (1622-1685), an influential theorist who wrote a number of important works on the warrior spirit and what it meant to be samurai. His writings inspired a certain Ôishi Kuranosuke Yoshio, a samurai and retainer of Asano Takumi no kami Naganori (1667-1701), who led a branch of the powerful Asano family.
It happened that Lord Asano was chosen by the shogun, Tokugawa Tsunayoshi, to be one of a number of daimyo tasked with entertaining envoys from the Imperial family. To assist him in this new duty, the Bakufu's highest ranking master of protocol, Kira Kozukenosuke Yoshinaka (1641-1702), was assigned to instruct him in matters of etiquette. Kira, it seems, was a somewhat difficult character and expected Asano to compensate him monetarily for the trouble, which Asano held was simply his duty. The two grew to dislike one another intensely, and Kira made every effort to embarrass his student. Finally, in April of 1702, the situation exploded within the shogun's palace - Kira insulted Asano once again, prompting the latter to draw his sword and swing at him. Kira was only wounded in the attack and Asano was promptly placed under confinement.
Striking another man in anger was against the law - doing so within the shogun's palace was unthinkable. Asano made little effort to defend himself during questioning except to say that he bore the shogun no ill will and only regretted that he had failed to kill Kira.



After the o-metsuke (inspector-generals) had completed their investigation of the matter, the shogunate passed down a sentence of death on Asano, ordering him to slit his belly at once. The shogun also decreed that his 50,000-koku fief at Akô in Harima was to be confiscated and his brother Daigaku placed under house arrest.
When the news of the unfortunate event reached Asano's castle, his retainers were thrown into an uproar and argued heatedly over what to do next. Some favored accepting their lot quietly and dispersing as ronin, while another group called for a defense of the castle and an actual battle with the government. Ôishi Kuranosuke, who urged the retainers to give up the castle peacefully and struggle to rehabilitate the Asano family while at the same time preparing to take revenge on Kira, sounded the view that prevailed.
Accordingly, a band of Asano retainers - now ronin - set out on a carefully planned road to revenge. Kira was no fool, and expecting some sort of attempt on his life by the Asano men increased his personal guard. Ôishi's scheme was therefore to lull their quarry into complacency, biding their time while they waited for the right moment. To this end the ronin hid away a cache of weapons and armor before ostensibly dispersing, some taking up menial jobs while others, like Ôishi himself, let it seem that they had lost any concern for their futures. Ôishi left his wife and began frequenting all of Edo's houses of ill repute, carousing with prostitutes and engaging in drunken brawls. On one occasion, a samurai from Satsuma is supposed to have come across Ôishi drunk in the street and spat upon him, saying that he was no real samurai.


Needless to say, Kira began to doubt that he was in any real danger, and within a year had relaxed his guard. It was at that point that the ronin struck. 47 of them gathered on 14 December 1702 and, after donning the armor and taking up the weapons from the cache, they set out on their revenge on that same snowy night. Once at Kira's Edo mansion, they divided into two groups and attacked, with one group entering through the rear of the compound while the rest forced their way through the front, battering the gate down with a mallet. Kira's men, many of whom were killed or wounded, were taken completely by surprise but did put up a spirited resistance (one of the ronin was killed in the attack), though ultimately to no avail: Kira was found in an outhouse and presented to Ôishi, who offered him the chance to commit suicide. When Kira made no reply, Ôishi struck off his head with the same dagger that Asano had used to kill himself with. Kira's head was then put in a bucket and carried to the Sengakuji, where Asano was buried. After Ôishi and the others had given the bloody trophy to the spirit of Asano, they turned themselves in.



The assassination of Kira placed the government in a difficult situation. After all, the 46 survivors now awaiting their fate had lived up to the standards of loyalty expected of true samurai and the ideals propounded by such men as Yamaga Soko. Additionally, the decision to order Asano to commit suicide and confiscate his domain while taking no action against Kira had not been popular (at least one of the inspectors at the time had been demoted for protesting the verdict). Nonetheless, the Bakufu decided that the maintenance of order would once again have to prevail, and so the ronin were ordered to commit suicide - a sentence suggested by the famous Confucian scholar Ogyû Sorai (1666-1728). They were at this time divided up into four groups under guard by four different daimyo, yet once they had all died, their bodies were buried together at the Sengakuji.1 Legend has it that the Satsuma samurai who had spit upon Ôishi in the street came to the temple and slit his own belly to atone for his insults.





The Revenge of the 47 Ronin continued to spark controversy throughout the Edo Period. One view had it that Ôishi and his men had in fact erred in waiting as long as they had, that in so doing they risked Kira dying (he was, after all, over 60) and their efforts coming to naught. This was, for example, the view of Yamamoto Tsunetomo (author of the famed Hagakure).2 The Confucian scholar Sato Naotaka (1650-1719) criticized the ronin for taking action at all, as the shogun's decision to order Asano to commit suicide should have ended the matter there and then. He also shared Tsunetomo's belief that the ronin ought to have commited suicide at the Sengakuji once their deed was done. In giving themselves up to be judged, they appeared to have hoped to receive a light sentence and therefore continue living -a shameful objective, given their crimes. At the same time, Naotaka reserved his harshest words for Kira, whom he called a coward and whose precipitation of the whole affair had led to so many deaths.
Other writers did not share those views. Men like Asami Yasuda (1652-1711) defended the actions of the ronin as being appropriate (if not actually challenging the Bakufu's decisions) and Chikamatsu wrote a favorable play (Chushin-gura) that became an instant and timeless classic. In the end, the Ôishi Kuranosuke and his ronin became the stuff of legend, and continue to spawn books, movies, and television shows at a prodigious rate. The Sengakuji is still a popular spot in Tokyo and a place for modern admirers of what many feel were the finest examples of samurai loyalty to emerge from the Edo Period.

Compiled by F.W.S

Wednesday, May 25, 2011

Zombie love





In Budapest, he shot the upcoming film 47 Ronin, had a fight scene with Keanu Reeves and uttered the following line: “Oy, what’s your business here?”


Read more: http://www.montrealgazette.com/entertainment/Zombie+love/4838830/story.html#ixzz1NOcKnOni

Zombie love